A work has more than one revenue path
The song is written.Do not scatter its rights.
Compositions, writers, splits, registrations, mechanical and performance royalties, and sync opportunities need clean records so the work stays readable after release.
01 / The role
The master and the composition are not the same.
A recording has a master, while the song inside it also has a composition: writers, ownership shares, and rights that earn through different uses.
Publishing keeps work information from living only in private notes. Writers and splits are organized, registration routes are mapped, and reports are read.
02 / What we protect
Clear names. Clear shares. Clear routes.
- 01
Writers and splits are recorded.
Every work begins with who wrote it and what share each person holds.
- 02
Registration stays consistent.
Titles, identities, writers, publishers, and supporting information are organized.
- 03
Royalty streams stay separate.
Mechanical, performance, and other uses are read separately from master income.
- 04
Sync opportunities stay curated.
Relevant catalogue meets sync needs while context, permission, and approvals remain clear.
03 / Scope
One work, a complete record.
Core information that keeps a composition identifiable, registrable, and reportable.
- Composition
- Work title, versions, and relationship to recordings
- Writers
- Legal names, roles, and identifying information
- Splits
- Percentages and involved-party approval
- Registration
- Work data for relevant administrative routes
- Royalties
- Mechanical, performance, and other-use mapping
- Synchronization
- Catalogue readiness, permissions, and usage context
04 / The flow
Begin with who wrote what.
- 01
Identify the work
Map the composition, related recordings, writers, and parties.
- 02
Agree on shares
Organize splits and ownership before they become disputes.
- 03
Register the routes
Prepare work data for relevant registration and use.
- 04
Read the reports
Match royalties and uses back to the work records.
When the song already exists
Make sure its rights are recorded.
Bring the works, writers, and existing splits. We will help identify what needs to be organized.