Lantuns / About

Built fromthe artist side.

Lantuns was built so independent artists and labels can reach more platforms, manage catalogues more clearly, and keep control of their work.

01 / Origin

Before becominginfrastructure.

Lantuns did not begin in a boardroom. Its foundation came from releasing music, building audiences, managing artists, and fixing the problems that repeatedly appear behind every song.

  1. 01

    2019

    It began with a band.

    We learned the music industry from the side closest to artists: costs that felt too large, choices that felt too narrow, and important terms explained only after it was too late.

  2. 02

    2020

    Learning from an audience.

    The journey continued through video channels—building an audience, understanding rights, and seeing how attention could become data, income, or simply disappear along the way.

  3. 03

    2021

    Becoming a label.

    Anka Entertainment was created to develop artists from releases to strategy. Distribution, promotion, metadata, and rights began to be treated as one system rather than separate jobs.

  4. 04

    2026

    Lantuns opened wider.

    Lantuns brought the system previously used inside the label to independent artists and labels—without asking for ownership as the price of entry.

02 / Position

What we do.And what we do not.

Explaining what we do is as important as explaining the limits. That clarity keeps a service relationship from turning into dependency.

01
We are

A distributor.

Not

The owner of your master.

We deliver your music to platforms, help keep metadata and rights organized, and report the results. The music remains yours; our relationship is a service, not an exchange of ownership.

02
We are

A platform with people inside.

Not

A form left alone.

The dashboard handles repetitive work. Our team handles what needs context: release issues, royalty splits, audits, and questions that cannot be solved by an automated help button.

03
We are

Independent.

Not

An exclusive relationship.

Your music should not need to be locked in for our service to feel valuable. You remain free to work with others and choose the route that makes sense for each release.

03 / How we work

Four rules.To keep things sane.

These are not slogans on a wall. They are simple rules that shape how plans are structured, catalogues are treated, and problems are answered.

01keep it clear

A model you can choose.

Start with revenue sharing or choose a plan with a larger royalty share as your catalogue and needs grow. The important part is that the math is readable from the beginning.

02keep it yours

The catalogue is not a hostage.

We do not build retention by threatening to remove catalogues when payments stop. Releases stay live and are taken down only when requested or when a platform requires it.

03keep it clear

Human language.

Pricing, reports, support, and terms should be understandable without first translating industry jargon. If the sentence is confusing, we are the ones who need to improve it.

04keep it yours

Answers with context.

A release problem rarely feels small to the person releasing it. Our support explains what is happening and what the next step is—not merely a ticket number.

04 / Next

See how it works.Then decide for yourself.

The services page explains where we can help. The pricing page shows the math. When your needs do not fit any box, our inbox remains open.